OMBRA FESTIVAL / UNUSUAL SOUNDS GATHERING VOL. 1 EP
12 Inch 11.10.19
oráculo records präsentiert mit stolz ombra festival unusual sounds gathering volume 1, eine vinyl compilation, die anlässlich der kommenden zweiten ausgabe von ombra festival erstellt wurde, die am 29. und 30. november an verschiedenen orten barcelonas stattfinden wird.
debut lp from uk by way of the congo’s young prodigy, k le maestro. ranging from gritty grime to sunshine, all the tracks are rooted in heavy drums with a variety of emotions layered in between.
calling marcelle a dj doesnt wholly represent what shes doing. (three) turntables and a mixer is more the medium that she uses to create and share sounds, ideas and moments.
nice price summer blow out deal !! top notch 4 track ep featuring pete herbert, roland schwarz, herb lf and ken hayakawa. support by: dj friction, jimpster, matt flores, dj morpheus, pete herbert from superdiscoteca & eskimo fame kicks off this 4 tracker with an old school beauty
alex the fairy returns to finders fee with rusty blade tears, the second record of three. the first track, a 4/4 kick blindly barging through an arcade is followed by a bathtub riding down the motorway in a dali-esque landscape. on the b-side, an angry cordless phone precedes some rusty ice cubes in arctic water. finder’s fee is a label for found sounds, found melodies and found rhythms.
matthias wagner, ein neues mitglied der sounds benefit-familie, ist ein deutscher künstler, der in den letzten jahren bereits einige bemerkenswerte veröffentlichungen veröffentlicht hat. während matthias neue wege in seiner musik beschreitet, ist er mit einer dreitracker-ep zurück, die auch einen remix von labelchef tom joyce enthält.
limited to 200 copies, the handmade vinyl cover is painted by sasha sime, thus making each copy unique. hot on the heels of paul ritch s >s.c.u.d< ep, quartz rec welcomes joton for a slamming ep >the fourth d<. the spanish producer and new rhythmic label owner delivers highly effective techno grooves on >the fourth d< and >dark sculptures<, while distant sounds on >different faces< and mystic chants on >diatomic< give this ep a shamanic dimension.
matt edwards launches stranger in the night with his first solo material since 2017. the rekids offshoot will release regular music by four artists, namely radio slave, king britt, anthony rother and fred p, who will each drop three eps over the next year. “with rekids being 100% focused on releasing music for dance floors i felt the need to create a new platform to explore a wider musical vision and invite some of my all-time electronic musical heroes to be a part of the series,” says matt edwards. both numbers near the 12-minute mark but each track portrays a different aesthetic. opening with precision drums and crystalline notes, ‘ground control’ makes a nod towards the hi-tech soul sound of detroit and drives forward using a sultry bassline, erratic chords and the occasional icy stab as an array of contrasting sounds operate in unison. on the flip, a syncopated rhythm lays the foundation for ‘last communication’ whilst a tantalising melody joins poignant synths, constructing a profound and hypnotising journey.
flor the yage is a project based in hannover-germany, with two producers from qutio -ecuador. they bring a fresh latin music feeling with their new perception of cumbia and chicha
GOD MADE ME PHUNKY / SHAKE DAT BOOTY (INC. PAL JOEY REMIX)
12 Inch 30.04.19
description 4 to the floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. on volume 1’s a-side you’ll find a track with one of the most famous lyrics from house music history md x-spress’ ‘god made me phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. on the flip are two mixes of a three kings classic, ‘shake dat booty’. the a pal joey interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the wahoo main mix utilises energetic drums and techy synths to up the ante.
the 14th release on the ifs imprint is a really special one, from a legend in the 140 scene, cluekid. he makes his return to 12-, after a very successful release with canadian imprint vinyl vigilance, and dishes up two lost dubplates which have been needing the plate treatment for years. having already received heavy support from the likes of j:kenzo, v.i.v.e.k, darkside and distance, this release is a must have. particularly with the added addition of the full sleeve artwork, designed by emily dayson illustration.
combo lulo returns to names you can trust for their sophomore single, digging deeper into the diversified sounds of the caribbean that helped define their debut. while the first single took a jamaican foundation south into the neighboring continent, fusing the sensibilities of rock steady with those of classic afro-latin orchestras, this single goes far east. inspired by the heady and sublime sounds of foundational ska mixed with east african influences, (think buster s islam, don d s addis ababa or further east), the sieve & the sand is a brand new composition within this natural order, albeit with the fortune of different reggae eras and studio styles to draw from. divided into two parts (but also available seamlessly as it was played in the studio), combo lulo s talented players move effortlessly from the galloping shuffle of ska into a deep and dark, roots radics-styled instrumental. its a lovely ode to the original styles of reggae, but also another impressive accomplishment that will surely leave listeners and new fans in anticipation of the shape of things to come for combo lulo.
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